Limited Edition SIGNED Henri Plisson Serigraph Print on Paper

This listing is for a SIGNED, limited edition print/serigraph on paper by American Impressionist artist, Henri Plisson.  The landscape depicts a villa and other buildings surrounded by a somewhat wild garden of colorful flowers and trees, with a pathway ambling through the scene.  Contemporary giltwood frame, with pale pink and off-white matting, with glass.

Measurements:  41.5" x 35.5" framed

Biography Of The American Impressionist Artist Who Became Well Known As Henri Plisson:

Patrick Joseph Ryan (a.k.a. Henri Plisson), was born in Omaha, Nebraska February 17, 1934. He served for some time in the United States Air Force. Originally, Patrick enrolled at a college in his state, the University of Nebraska. He continued his creative studies at the University of Southern California, earning his Master of Fine Arts Degree in1958. With a classical foundation, technical skill, an original perspective of images and extraordinary sense of color, the impressionist Henri Plisson created vibrant, richly textured paintings. Into his career, "Henri Plisson" was the name chose to be used in his impressionist paintings. This extremely gifted, contemporary impressionist painted garden scenes, seascapes, still lifes and figuratives, explaining that his paintings are beyond the recognizable subject.  A world traveler, Henri resided in California, living in Escondido for two years. His gardens are reminiscent of Majorca, the island off the coast of Spain he called home for several years. It was in this secluded and creative environment that Henri Plisson experimented and perfected his artistic style, which we recognize today.  He was a celebrated artist under his own name and as Henri Plisson for 40 years. Patrick Ryan, a. k. a. Henri Plisson, passed away on August 20, 2006. Henri Plisson was a true American Impressionist of our time.  This modern American Impressionist's works in oils and his serigraphs are currently displayed by some very distinctive corporate and private collectors.

 "If a painting is too finished, too exact, it poses limitations on your ability to see it. The image freezes, limiting your illusion. Better to paint the effect of what is there so someone observing the canvas will see the effect of what you saw, not the subject matter you saw.  In essence, what you are doing in impressionism is focusing on one thing, but you are painting another. I am painting a visual echo of what I see."  -Henri Plisson